Research output per year
Research output per year
Search results
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2026
Selfhood and Artistic Individuality in “Bits” — What Gets Lost in the Translation from Analogue to Digital
Torre, G. & Pellizzer, F. T., 2026, (Accepted/In press) Finding Our Place in the Digital World, Philosophical Essays on Technology, Phenomenology, and the Environment. Werkheiser, I. & Butler, M. (eds.). SpringerResearch output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2025
Introduction: The Experience of Noise
Vassilicos, B., Torre, G. & Pellizzer, F. T., 2025, (Accepted/In press) The experience of noise. Philosophical and phenomenological perspectives. Vassilicos, B., Pellizzer, F. T. & Torre, G. (eds.). Palgrave MacmillanResearch output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Odi et Amo — Digital Noise and the Poverty of Experience
Torre, G., 2025, (Accepted/In press) The experience of noise. Philosophical and phenomenological perspectives. Vassilicos, B., Pellizzer, F. T. & Torre, G. (eds.). Palgrave MacmillanResearch output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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We are Human Samplers’ - Technology, Aesthetics and Remain in Light (1980)
O'Connor, N., 12 Jan 2025, (Accepted/In press) Talking Heads . BloomsburyResearch output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2023
What digital angst reveals
Parmar, R., Aug 2023, Digital Art in Ireland: Reflections & Visuals. O’Sullivan, J. & McCarthy, A. (eds.). Cork, Ireland: Blackwater PublishingResearch output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2021
Engineering Authenticity: The Aesthetics of DSP Modeling in Mastering Plugins
O'Connor, N., 10 May 2021, Mastering in Music Production. Taylor and FrancisResearch output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2018
Joy Division in space: The aesthetics of estrangement
Parmar, R., Nov 2018, Heart and Soul: Critical Essays on Joy Division. Power, M. J., Devereaux, E. & Dillane, A. (eds.). Rowman and Littlefield PublishersResearch output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2017
(Per)forming the Triptych: Two Voices from a Work: The Dance of Making
Simpson, J. & Wycherley, M., 29 Dec 2017, Dance Matters in Ireland : Contemporary Dance Performance and Practice. Emma Meehan, A. M. (ed.). 1 ed. p. 145–169 24 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2016
Instrumentality, time and perseverance
Torre, G. & Andersen, K., 1 Jan 2016, Musical Instruments in the 21st Century: Identities, Configurations, Practices. Springer Singapore, p. 127-136 10 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Sound as Choreographic Object: A Perceptual Approach to the Integration of Sound in Screendance
Simpson, J., 2 Jun 2016, The Oxford Handbook of Screendance Studies. Rosenberg, D. (ed.). 1 ed. Oxford: Oxford University Press, p. 283-302 19 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2001
New Technology, Music, Methods
Simpson, J., 2001, What Machines?: Machines Can Do Virtually Anything But the Question is Not What They Can Do But What They Ought to Do. Djerii, M.-A. (ed.). Mermaid Turbulence, Vol. 4. p. 67-77 10 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter