Research output per year
Research output per year
Personal profile
Research Interests
My creative and research practices focus on electro-acoustic systems relating to chamber music, performance space augmentation, and sound installation. Much of this work is now focused on utilizing virtual acoustics as a method for exploring the possibilities of audio virtual/augmented reality. In particular, I am interested in exploring acoustic phenomena often feedback derived from both real and virtual systems in live situations, and embedding sounds or gestures into layers of automated live electronic processes.
Teaching Interests
I currently teach courses relating to music composition and sound art, the history of electronics in music and sound art, and methods for multi/intermedia practices.
Previously I have also taught courses on recording studio practice and using the recording studio for research purposes, music theory, and music history.
Biography
Eoin Callery is an Irish artist and researcher developing interactive virtual acoustic technologies. Previously, he lectured at CCRMA (Center for Computer Research in Music and Acoustics) at Stanford University and is currently directing the Composition and Creative Music Practice MA in The Irish World Academy of Music and Dance. Information about his work and recent performances can be found at eoincallerysound.com.
Education/Academic qualification
Doctor, Doctorate in Musical Arts, Stanford University
Award Date: 1 Jan 2016
Masters, MA, Wesleyan University
30 Aug 2008 → 31 May 2010
Award Date: 1 Jan 2010
Bachelor, BMus, University College Cork
Award Date: 1 Jan 2008
External positions
Lecturer and Adjunct Lecturer, Stanford University
1 Jan 2017 → …
Concert Coordinator at CCRMA, Stanford University
1 Jun 2014 → …
Fingerprint
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Collaborations and top research areas from the last five years
Recent external collaboration on country/territory level. Dive into details by clicking on the dots or
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Developing Virtual Acoustic Systems for Use in Early Music Research
Callery, E. & Abel, J. S., 4 Nov 2024, Early Music in the 21st Century. Mitchel, M. (ed.). Oxford University Press, p. 230 254 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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2023 Immersive and 3D Audio: from Architecture to Automotive (I3DA)
Callery, E., 2023.Research output: Contribution to conference › Paper
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Convolution, Virtual Acoustics, and Interactions with Impossible Worlds
Callery, E., Abel, J. S., Canfield-Dafilou, E. K. & Perišić, J., 2023, 2023 Immersive and 3D Audio: from Architecture to Automotive, I3DA 2023. Institute of Electrical and Electronics Engineers Inc., (2023 Immersive and 3D Audio: from Architecture to Automotive, I3DA 2023).Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
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Audio Engineering Society Convention 151
Callery, E., 2021.Research output: Contribution to conference › Paper
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Synthesizing Reverberation Impulse Responses from Audio Signals: Auto-Reverberation and Interactive Environments
Callery, E. F., Abel, J. S. & Spratt, K. S., 2021, 151st Audio Engineering Society Convention 2021. Audio Engineering Society, p. 245-254 10 p. (151st Audio Engineering Society Convention 2021).Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review
Activities
- 2 Membership of council
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Audio Engineering Society - AES (External organisation)
Callery, E. (Member)
2020Activity: Membership › Membership of council
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Contemporary Music Centre (External organisation)
Callery, E. (Member)
2017Activity: Membership › Membership of council