Joelle Kosovske
20112019

Research activity per year

Personal profile

Research Interests

Performance Practice, Music and Cultural Trends Rhetoric in Music Chromatic keyboards, microtonality and early tuning systems Stylistic Ownership Contemporary repertoire for harpsichord and; piano Art Song Lieder Chamber Music Chamber Music as a Means to Social Change Accompanying Sacred Music Music and Conflict Resolution Diversity in Education Arts and Citizenship Arts and Activism Interdisciplinary approaches to music interpretation and musicking Music History and Literature Music Analysis Historically Informed Performance

Teaching Interests

Modern piano Fortepiano Harpsichord Chamber organ Continuo Figured Bass Ornamentation Stylistic Ownership Music Literature Instrumental and Vocal Accompanying Chamber Music Performance Practice Music and Interpretation Notational Practices Music and Culture Interdisciplinary Perspectives in Art Rhetoric Performance Anxiety and Preparation Music and Health Art Song Lieder Early Music Classical Music Romantic Music Modern Music Contemporary Music

Biography

Dr. Yonit Kosovske maintains an active and international career as a soloist and collaborative artist on harpsichord, chamber organ, modern piano and fortepiano. Her repertoire spans the Renaissance through Contemporary music. She has been noted for her creative and elegant programming, and has been applauded for her sensitive and fiery performances.andnbsp;andnbsp;andnbsp; Originally from the United States, Yonit moved to Ireland in 2011 when she was appointed Lecturer of Music at the Irish World Academy of Music and Dance, University of Limerick.andnbsp;Yonit holds a Doctor of Music from Indiana University Jacobs School of Music with a minor field in Music History and Music Literature. Other degrees include a Master of Music from the San Francisco Conservatory of Music and a Bachelor of Music in Piano Performance from Rutgers University Mason Gross School of the Arts.andnbsp;She also studied at the Rubin Academy of Music and Dance in Jerusalem and at the New England Conservatory of Music in Boston. Her book Historical Harpsichord Technique, Developingandnbsp;La douceur du toucher andnbsp;was published by Indiana University Press in 2011.andnbsp;andnbsp; RADIO AND TELEVISION Cadena SER Radio Benavente, Spainandnbsp; Harmonia (National Public Radio), Bloomington, Indiana Irish TV 4 KPFA, Berkeley, California Performance Today (National Public Radio), Washington, DC RTÉ lyricandnbsp;fmandnbsp;Astrolabe RTÉ lyricandnbsp;fmandnbsp;Blue of the Night RTÉ lyricandnbsp;fmandnbsp;Culture File RTÉ Lyric Feature RTÉ lyricandnbsp;fmandnbsp;Gloria RTÉ lyricandnbsp;fm Nova RTÉ lyricandnbsp;fmandnbsp;Vox Nostra RTÉ Television What's on in Galway Scariff Bay Community Radio Sunday Baroque (WSHU), Connecticut TV7, Televisión de Monforte de Lemos, Spainandnbsp; WFIU, Bloomington, Indiana WGBH, Boston, Massachusetts WTIU, Bloomington, Indiana andnbsp; ENSEMBLE COLLABORATIONSandnbsp; Academos Bloomington Early Music Festival Orchestra Canto Romántico Chamber Choir Ireland Crescendo Berkshires Cross Relations Duo Paloma Fandango Foundling Orchestra Indianapolis Baroque Orchestra Irish Baroque Orchestra Irish Chamber Orchestra Lipzodes Magnificat Resurgam Resonata ¡Sacabuche! Sestina Xácaraandnbsp; RECORDINGS 2017 Chrome Attic, Solo Harpsichord, La Douceur 2011andnbsp;¡Ay, España Infelice! Songs from Spain, Voice and Fortepiano, Canto Romántico 2010andnbsp;La Gracieuse, Solo French Harpsichord, La Douceur 2010andnbsp;Girolamo Frescobaldi, Solo Harpsichord, IU Focus 2009andnbsp;The Venetian Influence, Chamber Organ, ¡Sacabuche! 2008andnbsp;Haydn Sonaten, Solo Fortepiano 2006andnbsp;Fitzwilliam Favorites, Solo Harpsichord 2006andnbsp;Live from León, Jan Pieterszoon Sweelink, Solo Harpsichord 2004andnbsp;Norton Anthology of Western Music, Stephen Foster 2001andnbsp;Hospice Benefit Recording: Voces Novae Choir, Chamber Organ 2000andnbsp;Á discretion, Solo Harpsichord 2000andnbsp;La Desperata, Duo Marini, Violin and Harpsichord 2000andnbsp;Dorian Competition Finalists Recording, Liaison, Harpsichord FESTIVALS Barockstage Festival at Melk Monastery, Austria Berkeley Early Music Festival Bloomington Early Music Festival Boston Early Music Festival Castleconnell Autumn Chamber Music Series, Ireland Chicago Early Music Festival Frescobaldi International Festival of Music (Masterclass), Rome Galway Early Music Festival Galway International Arts Festival Hilltown New Music Festival, Ireland Nørre-Snede Concert Series, Denmark Quito Early Music Festival, Ecuador Sligo Festival of Baroque Music, Irelandandnbsp; CONDUCTORS Michael Barrett, Mark Chambers, Jonathan Cohen, Mark Duley, Paul Hillier, John Holloway,andnbsp;Monica Huggett, Hiro Kurosaki, Anthony Marwood, Nigel North, Linda Pearse,andnbsp;Robert Porco, Stanley Ritchie, Veronika Skuplik, Jean-Christophe Spinosi, Warren Stewart,andnbsp;Gary Thor Wedowandnbsp; COMMITTEES
2017 Accreditation Panel: BA in Jazz and Contemporary Music Performance, Dublin City University
EXTERNAL EXAMINER 2016 2019 External Examiner: HDME Leinster School of Music and; Drama, Griffith College, Dublin, Ireland

Expertise related to UN Sustainable Development Goals

In 2015, UN member states agreed to 17 global Sustainable Development Goals (SDGs) to end poverty, protect the planet and ensure prosperity for all. This person’s work contributes towards the following SDG(s):

  • SDG 14 - Life Below Water

Education/Academic qualification

Doctor, Doctor of Music, Indiana University Bloomington

Award Date: 1 Jan 2008

Bachelor, Bachelor of Music, Rutgers State University

Award Date: 1 Jan 1992

External positions

Lecturer, Piano, Harpsichord, Accompanying, Chamber Music, Irish World Academy of Music and Dance, University of Limerick

14 Jun 2012 → …

Keyboardist, Freelance Musician

1 Sep 1996 → …

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