Abstract
Sound art is at the vanguard of contemporary creative practices seeking to establish a platform for meaningful debate on a range of accelerating global environmental crises. This paper explores how the Softday art/science collaboration moved from exploring histories of the natural world in the epoch of the Anthropocene, while engaging in a continuum of public and politicized contestations addressing climate change issues, to a participatory sound art practice that that we call Acouscenic Listening and Creative Soundwalks, which may help to develop a novel frame of understanding of the world.
Original language | English |
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Pages (from-to) | 3-6 |
Number of pages | 4 |
Journal | Leonardo Music Journal |
Issue number | 27 |
DOIs | |
Publication status | Published - 1 Dec 2017 |