“Alive. Changing. New.”: Impulses of the Jaques-Dalcroze Dance Institute on the Architecture of Ludwig Mies van der Rohe

Jan Frohburg; Tanja Poppelreuter

doi:10.5040/9781666991789.ch-0013

“Alive. Changing. New.”: Impulses of the Jaques-Dalcroze Dance Institute on the Architecture of Ludwig Mies van der Rohe

Jan Frohburg
, Tanja Poppelreuter

School of Architecture & Product Design

University of Salford

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Abstract

In June of 1913 at Gartenstadt Hellerau (Garden City Hellerau) a group of dance students of the Jaques-Dalcroze Institute performed Christoph Willibald Gluck’s 1762 opera Orpheus and Eurydice. In the opening scene, Orpheus sat on a raised platform, surrounded by mourners.

Original language	English
Title of host publication	Dance and Modernism in Irish and German Literature and Culture
Subtitle of host publication	Connections in Motion
Publisher	Bloomsbury Publishing Plc.
Pages	229-250
Number of pages	22
ISBN (Electronic)	9781978791466
ISBN (Print)	9781498594288
DOIs	https://doi.org/10.5040/9781666991789.ch-0013
Publication status	Published - 1 Jan 2024

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10.5040/9781666991789.ch-0013

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“Alive. Changing. New.”: Impulses of the Jaques-Dalcroze Dance Institute on the Architecture of Ludwig Mies van der Rohe. / Frohburg, Jan; Poppelreuter, Tanja.
Dance and Modernism in Irish and German Literature and Culture: Connections in Motion. Bloomsbury Publishing Plc., 2024. p. 229-250.

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

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“Alive. Changing. New.”: Impulses of the Jaques-Dalcroze Dance Institute on the Architecture of Ludwig Mies van der Rohe

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