Harp Studies I: Perspectives on the Irish Harp

Sandra Joyce; Helen Lawlor

Harp Studies I: Perspectives on the Irish Harp

Sandra Joyce (Editor)
, Helen Lawlor (Editor)

Office of the Dean Humanities

Technological University Dublin

Research output: Book/Report › Book › peer-review

Abstract

Harp Studies I presents new research on the Irish harp, with perspectives from the disciplines of ethnomusicology, musicology, history, arts practice, folklore and cultural studies. Themes explored in this volume include iconography, reception history, diaspora, identity, spirituality and politics. Taking an expansive view of the harp through history and music, these essays individually engage with the variety of ways in which the harp has been interpreted and implicated in Irish culture, politics and music from the ninth century to the present day.

Original language	English (Ireland)
Place of Publication	Dublin
Publisher	Four Courts Press
Number of pages	301
Volume	I
ISBN (Print)	978-1-84682-588-0
Publication status	Published - 1 Jan 2016

Publication series

Name	Harp Studies
Publisher	Four Courts Press
Volume	I

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

SDG 4 Quality Education
SDG 5 Gender Equality

Keywords

Music, Ireland, iconography, reception history, diaspora, identity, spirituality, politics.

Cite this

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title = "Harp Studies I: Perspectives on the Irish Harp",

abstract = "Harp Studies I presents new research on the Irish harp, with perspectives from the disciplines of ethnomusicology, musicology, history, arts practice, folklore and cultural studies. Themes explored in this volume include iconography, reception history, diaspora, identity, spirituality and politics. Taking an expansive view of the harp through history and music, these essays individually engage with the variety of ways in which the harp has been interpreted and implicated in Irish culture, politics and music from the ninth century to the present day.",

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AB - Harp Studies I presents new research on the Irish harp, with perspectives from the disciplines of ethnomusicology, musicology, history, arts practice, folklore and cultural studies. Themes explored in this volume include iconography, reception history, diaspora, identity, spirituality and politics. Taking an expansive view of the harp through history and music, these essays individually engage with the variety of ways in which the harp has been interpreted and implicated in Irish culture, politics and music from the ninth century to the present day.

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Harp Studies I: Perspectives on the Irish Harp

Abstract

Publication series

UN SDGs

Keywords

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Cite this